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Coldbones England, UK
Kent, UK three piece, Coldbones formed with a defiant manifesto: To extract colour from the
darkness.
By using the palette of prog, shoegaze and metal the group have collectively utilized the tropes of post-rock and embellished them for their own narrative needs.
This is their sophomore album, ‘The Cataclysm’.
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supported by 6 fans who also own “Live at the Heavy Music Awards 2020”
It's like being swept on a transcendent journey, where the soaring melodies lift you into a realm of pure escape, embodying a sense of flying away from the mundane. Each note weaves a tapestry of eternal sorrow and compassion, an exquisite balance of sadness and joy that echoes the complex emotions of life itself.
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supported by 6 fans who also own “Live at the Heavy Music Awards 2020”
A group that I know only too well, I’ve been with them for nearly 30 years; from their Glaswegian basement origins to their current status as Arena band. My enthusiasm for their later output may have tempered somewhat as the mighty ‘Gwai evolved their sound to avoid pigeonholing, but there is nothing better than when they lay waste to a venue via the sheer euphoria of ‘Helicon 1’. They’re still devastating live and, after all those years, THE authority in Instrumental Rock music.
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Beyond the Past • Live in London with the Platinum Anniversary Orchestra
by MONO
supported by 5 fans who also own “Live at the Heavy Music Awards 2020”
The live version of "Nowhere, Now Here" is an incredible performance. Having now seen MONO perform live (albeit without an orchestra backing them), the energy and emotion within their music just completely consumes you. They are one of my favourite bands of all time. "Ashes in the Snow" is another favourite song, as are the live performances of "Meet Us Where The Night Ends", "Halcyon", and "Death in Rebirth".
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Purple Haus
by Bear the Mammoth
The latest album from Purple Haus is a playful and poignant exploration of progressive post-rock.
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Anyone homesick for the classic sound of ’90s math rock will fall in love with the jagged guitars & tricky tempos on “LLC.”
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The Oakland-based Filipino-American instrumental post-rock band releases their fourth LP.
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Apologie du temps perdu, Vol. 1
by BRUIT ≤
supported by 5 fans who also own “Live at the Heavy Music Awards 2020”
Ce groupe post rock de Toulouse continue de m'impressionner par sa grande musicalité et l'aboutissement de ses compositions, en plus d'une réflexion politique sur la place des artistes dans la société...
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